Category Archives: Historical Links, Pre-Independence

The locksmith honcho

V Raghunathan. (A Radhakrishna/EPS)
V Raghunathan. (A Radhakrishna/EPS)

The key to V Raghunathan’s happiness lies in his lock collection. In the last 30 years, he has gathered over 700 kinds from across the country. The fascination began back in 1984 when Hyderabad-based Raghunathan went to Kashmir. “Our guest house had an unusual old lock. I exchanged it with the caretaker,” he says. Since then he has been hooked—lock, stock and barrel, forever searching for more exotic locks.

“Collecting locks is a passion. I just love them and will travel any distance to procure one. I used to visit the flea markets in Ahmedabad to add to my collection. It is great fun deciphering some of them. I have seen locks, which would need more than one individual to open them,” says Raghunathan, CEO of GMR Group’s Varalakshmi Foundation.

There is a staggering range of shapes and sizes in the collection. Padlocks, chest locks, door locks, trick locks. He has locks in shapes of fruits, revolvers, buckets, pots, plants, scorpions, camels, lions, horses, cows, dogs and even cats.

And there are other unusual locks as well. For instance, a lock for which a key has to be inserted inside another key to open it. Then there is a rare lock from Aligarh. A fascinating one is a copper combination lock, which has a number of discs. Each disc carries an Arabic inscription— either a letter or a phrase. It appears that any combination of the discs yields an Arabic couplet and one particular couplet opens the lock. What is striking about this lock is that all the combinations of letters end up forming a verse from the Koran.

Raghunathan has also written a book about his lifelong passion—Locks Mahabharata Mathematics. The book mixes Draupadi, a lock with five keys or Jarasandha— who could be split apart but whose two halves could never be kept separate—split locks and symmetries. He has linked all of these characters and their life with math.

Divided into 10 chapters, Locks Mahabharata Mathematics has stories ranging from that of Draupadi, to Yudhishthira’s gamble, to Shukrayacharya and Kacha. Keeping them company are chancy locks, interacting keys and binary stars.

“Locks have been part of my life for nearly as long as I have been married, some 30 years.  Though I am not a mathematician by a far shot, I am deeply interested in the subject. And finally, I am as well read on the Mahabharata as any reasonably educated Indian. So it was only a matter of time before the three overlapped somewhere,” says Raghunathan.

“It was while reading a story about how Draupadi came to acquire five husbands that it struck me that she wasn’t unlike one of the locks in my collection— one that needed five keys to open it. From there the leap to the world of polynomials, especially the quintics—equations of fifth degree—which have five solutions, was merely a logical one,” he points out.

At a literal level, the book provides a contemporary take on the Mahabharata stories for the younger generation. It also presents mathematics in a far more interesting light than a standard text.

“The book brings the lock-making craft of highly skilled artisans of a bygone India to the present generation. Perhaps the book provides enough fodder to engage both the right and left sides of the brain,” he laughs.

LOCKED IN

●  There is a staggering range of sizes in the collection. They range from one that weighs no more than 5 grams to one that weighs 30 kg. The longest is over 3.5 ft in length while the smallest is about half a centimetre.

●  He has locks from Uttar Pradesh, Tamil Nadu, Rajasthan, Kashmir and West Bengal.

●  The lock with five keys is from Rajasthan.

source: http://www.newindianexpress.com / The New Indian Express / Home> Magazine / by Swati  Sharma / October 13th, 2013

Hyderabad to turn pink on Tuesday

(Hyderabad to turn pink on…)
(Hyderabad to turn pink on…)

Hyderabad’s landmarks will be illuminated to spread Bread Cancer  awareness.

Heading out on October 1, you might notice a number of prominent buildings in the city being lit up in pink. Confused? October is International Breast Cancer Awareness month, and organisations across the world illuminate prominent buildings of their cities in pink — a colour that is used to demonstrate breast cancer Awareness.

The idea was started by Evelyn Lauder of Estee Lauder group of companies, when she lost her sister to breast cancer. She was a pioneer in making the now ubiquitous pink ribbon a symbol of international breast cancer awareness. After more than a decade, this pink campaign has caught on worldwide. Prominent buildings such as White House and the Empire State Building in the US, Buckingham Palace, Tower of London, Victoria Memorial and Nelson’s Column in the UK, Eifel Tower in Paris and others are illuminated in October.
In mana Hyderabad, Ushalakshmi Breast Cancer Foundation has been illuminating prominent buildings in the colour since the last four years, to spread the message of hope, survival and courage. Also to remind people that women  over 40 must get themselves an annual screening for mammogram to detect this disease early. Since breast cancer is non-preventable, the only way to fight it is by detecting it early.
Like previous years, a number of historic and prominent buildings will be lit up in pink this year as well. On October 1, watch the Legislative Assembly, Charminar, Buddha Statue, Prasads IMAX, KIMS Hospitals and Times of India Building turn pink.

source: http://www.articles.timesofindia.indiatimes.com / The Times of India / Home> Life & Style> People> Breast Cancer / by Apuurva Sridharan, TNN / September 30th, 2013

Curator of a tradition

Cherial paintings depicting scenes from the epics and local legends. / Photo: Azera Parveen Rahman / The Hindu
Cherial paintings depicting scenes from the epics and local legends. / Photo: Azera Parveen Rahman / The Hindu

An 18-year-old is using his skills to revive the fading cherial heritage of Warangal

At the first glance, 18-year-old Vinay Kumar looks like any other teenager, with lofty dreams in his eyes. But once he starts speaking while rolling out scrolls of painting or cherial, a strange passion takes over. Coming from the youngest generation of the only family in the Cherial village of Andhra Pradesh to continue doing this art, Vinay’s passion is heartening, for, in his hands now lies the fate of the more than 500-year-old art form.

Vinay Kumar./  Photo: Azera Parveen Rahman / The Hindu
Vinay Kumar./ Photo: Azera Parveen Rahman / The Hindu

Cherial is located in Warangal district. Here, these paintings, which depict scenes from the epics and local legends, form an integral part of the story-telling tradition. Since the paintings are mostly three-feet-wide and 60-feet-long, unrolling the scroll bit by bit, while narrating the story, may sometime take weeks or even a month. Music adds further drama to the whole spectacle.

“Ever since I can remember, storytellers used to come to our house and place order for a scroll, and depending on what they want, my father or uncle used to paint. A cherial painting lasts for 150 years, so we won’t get the same customer again. Before 1995, my father used to get two-three orders from storytellers every year; now we hardly get any in a year,” Vinay, who is also involved in the family art, said.

A craft that has been passed down generations, he said that although cherial has been a family tradition since the 16 Century, his grandfather was not very keen on his sons learning it because it did not pay much. “But one day, he was struck by paralysis, and because there were pending orders, my father and his elder brother had to fill in his shoes and do the painting.”

Apart from the expert handiwork, the beauty of a cherial painting is in its all-natural elements. The canvas is khadi cloth, on which a mixture of tamarind seed powder, white clay, and rice starch is applied thrice to make it stiff. After that, inglikum, which is also an Ayurvedic medicine according to Vinay, is applied for the red background colour. Then the sketch of the bodies are made and filled with natural colours, ornaments come next, and finally a black outline is drawn to make the figures stand out.

“We get the white colour from burning sea shells, the black from lamp soot, the blue from indigo leaves, yellow from stone, and others by mixing the colours,” the young, award-winning artist elaborated.

Although cherial has a Geographical Indications (GI) tag, and Vinay’s father, D. Vaikuntam, is a national award-winning artist whose work is appreciated in exhibitions held in and outside the State, there continues to be a looming threat to its sustainability. “In 1970, the State department of handicrafts approached our family to do cherial for the general public, and not just storytellers, for it to sustain, and since then we have been doing smaller scrolls, 6×12 inches, for decorative purposes,” Vaikuntam said.

Depicting one scene in the small scrolls cost about Rs. 500, but the price increases with greater intricacy. For storytellers, the price is quoted per metre of work.

“Over the years we have further innovated, and have painted on ornament boxes, envelopes, letter heads, even on a sari, which people have appreciated. We also do different colour schemes and take up themes like the village life, other than the epics.”

But Vinay has bigger dreams. Supported by the Crafts Council of Andhra Pradesh, he is now studying fine arts in a design school. “No other job for me, this is what I want to do. I want to take cherial across the borders of our country, and maybe open a gallery one day. Our first preference will always be the storytellers, but with changing times our market has changed and I would like to innovate in order forcherial to thrive,” he smiles.

source: http://www.thehindu.com / The Hindu / Home> Features> Friday Review> Art / by Azera Parveen Rahman / September 18th, 2013

Precision strokes with a rare appeal

Visitors at the art of Islamic calligraphy exhibition at Salarjung Museum on Sunday. — Photo: Thakur Ajaypal Singh / The Hindu
Visitors at the art of Islamic calligraphy exhibition at Salarjung Museum on Sunday. — Photo: Thakur Ajaypal Singh / The Hindu

Some 600-odd calligraphic panels are on display at the special exhibition on the art of Islamic calligraphy at Salar Jung Museum

It is a visual treat. Even those who do not understand the writing can enjoy at least the sight of it. Each dot, line and curve is reflective of the passion and warmth with which the artists have wielded the ‘qalam’.

Calligraphy is considered frozen poetry. The 600-odd calligraphic panels on display at the Salar Jung Museum bear it out. The special exhibition on the art of Islamic calligraphy being organised by the Siasat Daily is mesmerising, to say the least. Each work of art stands out for its precision, beauty and distinctness.

Hassan Nourian, Consul-General, Islamic Republic of Iran, who opened the exhibition, summed it up aptly thus: “Allahu jamilun yuhibbul jamal” (Allah is beautiful and likes beauty).

Islamic calligraphy is all about giving expression to the word of God contained in the Quran. Since figural arts are not permissible in Islam, Muslim artists employ their skills for the development of decorative arts.

The works of five calligraphers displayed at Salarjung gives an insight into the versatility of the art evolved over the years. The flowing continuum of ascending verticals, descending curves and temperate horizontals are simply breathtaking.

One can see the best of Kufic, Naskh, Thuluth, Nastaliq, Shikaste and ornamental scripts.

“The idea behind holding this exhibition is to revive the dwindling interest in Islamic calligraphy and to preserve this unique art form,” says Siasat Editor, Zahid Ali Khan.

Siasat is working in mission mode to promote calligraphy, which has stood the test of time. Five calligraphers, working on various Quranic verses, have produced 2,000-plus eye-catching masterpieces in the last three years.

“We have picked up the best of them to showcase here,” says Siasat managing editor Zaheeruddin Ali Khan.

The works of Abdul Nayeem Saberi, Shaik Mohammed Abdul Latif Farooque, Raziuddin Iqbal, Abdul Naseer Sultan and Syed Naseeruddin Viqar must be seen to be believed.

They seek to strike a perfect spiritual harmony and raise the stature of calligraphy, which has been an integral part of Islam.

The artists exploit a range of possibilities allowed by the Arabic language. Some verses are compacted to a dense knot, while some are drawn out to great length. The artistic appeal and aesthetics stand out in every form.

The exhibition is open from 10 a.m. to 5 p.m. and is on till August 31.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Hyderabad / by J S Ifthekhar / Hyderabad – August 19th, 2013

Four Napoleon III-era coins discovered in Andhra temple

Authorities in Andhra Pradesh  have discovered four French gold coins dating back to Napoleon III, the nephew of Napoleon Bonaparte and the last monarch of France, in a temple.

The coins, each weighing 1.5 grams, were found during digging at the Ksheera Ramalingeswara Swamy temple at Palakole town in West Godavari in coastal Andhra.

Department of archaeology and museums assistant director Bangaiah told IANS over phone that the coins dating back to the 18th century A.D. have images of Napoleon III.

“This is the first time that French coins have been found in Andhra Pradesh,” said Bangaiah. He pointed out that Palakole was a trading centre on the eastern coast attracting the Dutch, the French, the Portuguese and the British traders.

The official said the coins were found during the excavation work to rebuild the ‘dhwajastambham’ at the 10th century temple. The dhwajastambham or flag post of the deity had collapsed during the recent rains and the temple authorities had taken up the excavation to reinstall it.

“As per custom, the coins and other valuables of the temple are kept in a pit before erecting the dhwajastambham,” said Bangaiah.

The temple authorities gave one of the four coins to the department of archaeology and museums for displaying at the government museum in Kakinada in East Godavari district. The remaining three coins were kept in the excavated pit before starting work on rebuilding the dhwajastambham.

Three copper coins of British India were also discovered during the excavation. While two coins were of one paisa each, the third was of Re 1 denomination. The coins, from 1905, carried the image of Queen Victoria.

source: http://www.business-standard.com / Business Standard / Home> News-IANS> Arts-Culture-Books / by IANS / Hyderabad – September 02nd, 2013

Centennial of first ‘Andhra Conference’ opened

Union Minister of State for Petroleum & Natural Gas Panabaka Lakshmi releasing the Special Postal Cover in Bapatla on Friday /. Photo: T. Vijayakumar / The Hindu
Union Minister of State for Petroleum & Natural Gas Panabaka Lakshmi releasing the Special Postal Cover in Bapatla on Friday /. Photo: T. Vijayakumar / The Hindu

Panabaka Lakshmi releases a Special Postal Cover marking the historic event

The centenary celebrations of first Andhra Conference (`Pradhama Andhra Mahasabha’ began at the historic Town Hall here on Friday. Union Minister of State for Petroleum & Natural Gas Panabaka Lakshmi inaugurated the event by hoisting a flag and released a Special Postal Cover worth Rs 5.

Rich tributes were paid to B. Narasimheswara Sarma, a member of the Imperial Legislative Council who presided over the Conference, and stalwarts like Bhogaraju Pattabhi Seetaramaiah, Pingali Venkaiah, Ayyadevara Kaleswara Rao, Chilakamarti Lakshmi Narasimham Pantulu, Konda Venkatappaiah and Mutnuri Krishna Rao.

Addressing the gathering, Ms. Lakshmi said the town was privileged to host the first Andhra Conference on May 26, 1913.

The movement for separate State for the Telugu speaking people had its seeds sown in this conference and the dream was ultimately realized due to the sacrifices made by some great men and women.

Ms. Lakshmi said a concerted effort has to be made to protect the native culture and traditions which earned global acclaim and observed that the Conference had given impetus to the growth of Telugu into a classical language.

MLA Gade Venkata Reddy said the distinct identity that the first `Andhra Conference had earned for Telugu people and their language should be preserved by them and wanted them to stay united wherever they are.

Collector S. Suresh Kumar, Director of Postal Services (Vijayawada) M. Venkateswarulu, RDO S. Srinivasa Murthy, Centenary Celebrations Committee Convener P C Sai Babu and Co-Convener K. Venkateswara Reddy and others participated.

Tamil Nadu Governor K. Rosaiah will be participating as the chief guest in the program to be held at the Municipal High School ground on May 26.

source: http://www.thehindu.com / The Hindu / Home> News> National> Andhra Pradesh / by Staff Reporter / Bapatla – May 25th, 2013

Pedana Kalamkari art form gets GI tag

A Kalamkari artist immersed in designing a piece of cloth. / File Photo / The Hindu
A Kalamkari artist immersed in designing a piece of cloth. / File Photo / The Hindu

 Now, the production of Machilipatnam Kalamkari will be geographically limited to Pedana town and its neighbouring villages

Kalamkari, renowned for natural dye art or designs on fabrics, has been registered in the Geographical Indications Registry (GIR) of the Government of India under the Geographical Identification of Goods (Registration and Protection) Act, 1999.

Members of Vegetable Dye Hand Block Kalamkari Printers’ Welfare Association, Pedana received the registration certificate from the GIR, Chennai. In the GI Registration, this art form has, however, been recognised as ‘Machilipatnam Kalamkari’. Pedana is 15 k.m. from Machilipatnam.

“The registration will enable us to initiate legal action against those who copy the art or design in any form. It also restricts the production of fabrics with Kalamkari art in the areas falling out of the registered geographical area,” said the Welfare Association executive member Bandaru Anand Prasad.

According to GIR’s authorised user no – AU/396/GI/19/12, production of Machilipatnam Kalamkari is geographically only limited to Pedana town and its neighbouring villages of Machilipatnam, Polavaram and Kappaladoddi in Guduru mandal of Krishna district.

The ingredients used in the preparation of colours, stages of applying the dye and designs on fabrics were also submitted to the GIR authorities for the conservation of the art as well as easy identification of violators anywhere. Nevertheless, the geographical identification was limited for a few areas of production – such as textiles and textile goods, bed and table covers, clothing, carpets, rugs, linoleum and other materials for covering existing floors and embroidery.

“Since the new status deals with promising the registered standards of the Kalamkari, even local artisans and production houses have no exemption from the guidelines, framed for conservation of the art, if they fail to maintain the respective standard,” added Mr. Anand Prasad.

“Now we have every right to seek legal action against the violators – who copy the art form on the registered products,” he added. On the other hand, the scientists of National Academy of Agricultural Research Management, Hyderabad were engaged in producing new colours meant for Machilipatnam Kalamkari and a special training programme on applying new colours was also completed this week.

As a witness of the existence of the art form, a wall hanger dating back to 15th Century AD, is still being displayed in Victoria Museum, London.

The article has been edited to correct an editing error.

source: http://www.thehindu.com / The Hindu / Home> News> National> Andhra Pradesh / by T Appala Naidu / Pedana (Krishna District) – August 18th, 2013

Fight for rights, tribal communities told

Campaign launched to bring awareness in Visakha Agency area

A campaign has been launched to sensitise vulnerable tribal communities in the Agency area of the district on their rights and responsibilities. The weeklong campaign was inaugurated at Araku Valley on Friday on the occasion of the International Day of World Indigenous People.

A round-table meeting was held at Tribal Foundation at Padmapuram to drive home the point that tribal culture and advancement could sustain only if they overcome the fast spreading globalisation, privatisation and liberalisation simultaneously protecting the cultures.

It was decided to take up mass campaigns at shandies, ashram schools, youth gatherings and at villages covering around 1,200 participants to promote tribal cultures. The awareness will cover environment protection, conserving empowerment and indigenous living patterns.

The round-table meet called upon the communities to make unified efforts in accessing the constitutional rights and guarantees and overcome the challenges in the way of empowerment with unity.

The round-table laid emphasis on the health, education, livelihoods, facilitating the de-addiction, avoiding the child labour and marriages, poverty with a collective spirit recognising the beneficiaries as right holders’ overcoming the exclusion, disparities and other social barriers towards a holistic tribal advancement direction.

The participants at the round-table included teachers, students, farmers, self-help groups, Dhimsa Foundation, Tribal Foundation, Girinestham, Chaitanya, Vanamithra, Power, Focus, Chetana, IPAP and Nature and functionaries from international NGOs like DKA Austria, UNICEF, Save the Children, New Education Group — FIRE.

source: http://www.thehindu.com / The Hindu / Home> News> Cities / by Special Correspondent / Visakhapatnam – August 12th, 2013

Turn the page, royally

Kingdom of words: Chowmahalla Palace Library, Hyderabad. - Nagara Gopal
Kingdom of words: Chowmahalla Palace Library, Hyderabad. – Nagara Gopal

There is something about the quiescence and period ambience of the Chowmahalla Palace Library that is instantly charming. There are about 10,000 books and manuscripts in this admirable collection housed in old-world wooden cupboards and surrounded by carefully refurbished vintage furniture. The newly opened library is in Mahtab Mahal, one of the four palaces in the Chowmahalla complex at Khilwat in the Charminar area of Hyderabad.

Built over 200 years ago, the magnificent Chowmahalla was the seat of the Asaf Jahi dynasty and the venue where the Nizams entertained royal visitors and official guests. An amalgam of architectural styles and influences, the palace complex was carefully restored and opened to the public about eight years ago. The heritage building is now also available for private and corporate events.

Falaknuma library
Falaknuma library

The library is the latest attraction, rich with timeworn tomes sourced from the Asaf Jahi palaces in the city, including the Chiraan Palace, Nazri Bagh and, of course, Chowmahalla itself.

The Nizams loved literature and some of them were poets in their own right, including the first two Nizams, Mir Qamaruddin Khan and Mir Nizam Ali Khan, and the last two, Mir Mahbub Ali Khan and Mir Osman Ali Khan.

The books are in Urdu, Arabic, Persian and English. Some of them are nearly three centuries old. Besides works of history, geography, art and culture, poetry, Islamic law, medicine and philosophy, the repository has biographies, encyclopaedias and dictionaries.

An exquisite collection of rare Quran editions in calligraphy includes several that were received as birthday gifts by the seventh Nizam.

Of the nearly 300 Qurans in this library, 28 are being painstakingly restored for display in a special section.

There are priceless editions of the Quran in handmade paper, the text handwritten and embellished with gold, gems and pearls. Pointing to the richly-hued pages of one book, a member of the restoration team explains that the gold, red, blue and white colours come respectively from powders of gold, cinnebar, lapis lazuli and pearl.

Many of the English books are first editions from the UK. The bilingual dictionaries in the collection include English-Urdu, Persian-English and Persian-Urdu.

Vintage volumes such as Princes and Chiefs of IndiaView of Hindoostan, a set of Chambers EncyclopaediasGlimpses of India, and Delhi Durbar are on view. A lot of hard work has gone into creating this library as many of the books were in a state of neglect, attacked by termites and wood-louse. The restorers did battle with missing pages and jackets, damaged pages and faded lettering. Mahtab Mahal itself needed some sprucing-up.

“The whole process took over six months… We have ensured attention to detail in the restoration and conservation of the books, and the setting up of the library,” says G. Kishan Rao, Director, Chowmahalla Palace. “This was all made possible by Princess Esra’s [Birgin] strong commitment and invaluable encouragement. We also used expert advice from academicians and professionals.”

The books were cleaned in a fumigation chamber and sent for binding — all the restoration work was done in-house.

The cataloguing was another time-consuming effort. “The books have been catalogued according to the US Library of Congress, which is a unique world resource,” says Rao.

Besides tourists and curious onlookers, the library with its rich and valuable trove is soon expected to attract bibliophiles, students and research scholars.

You may borrow a book to read on the premises, seated on the antique (renovated) furniture.

A Rs 100 fee is charged for use of the library, inclusive of the palace entry charge. Virtual visitors can go to  www.chowmahalla.com .

source:  http://www.thehindubusinessline.com / Business Line / Home> Weekend Life / by Aruna Chandarajan

The name has always been Hyderabad

 

Urdu scholars and academicians have once again come out to claim that the idea of Bhagyanagar as the earlier name for the city is mere folklore which is not backed by substance.

Scholars at the four-day international seminar on “400 years of Mohammed Quli Qutb Shah” which was organised at the department of Urdu at University of Hyderabad, said that no available manuscripts, epigraphs, literature or even coins of that era suggest that the name of the city was Bhagyanagar. One among them even feared that with Telangana being formed, there might be a demand to rename the city as Bhagyanagar.

Noted city-based historian and managing trustee of Deccan Heritage Trust, Mohammed Safiullah, rubbishing the concept of Bhagyanagar, said that some historians with vested interests were behind the imaginary stories of Bhagyanagar and said that no concrete proofs suggest that the city was called Bhagyanagar. “Bhagmati could have been a Rajasthani courtesan like Taramati and Premamati. But, even the first available coins of Hyderabad dating to 1603 have the legend as Dar-ul-Sultanate Hyderabad.”

According to him, the title Hyder, meaning lion, has never been given to any woman across the world. “Qutb Shahis were ardent Shias. The city was named after the corner stone of Shia fate, Hazrath Ali, who was also called as Hyder-e-Karrar,” he said. He further said that Mohammed Quli Qutb Shah was a great poet who mentioned many women in his collection of poetry and it was unfair to pick just one of them as his lover.

Echoing similar views, Prof Ahmed Shareef, retired professor of architecture, JNAFAU, said that Bhagyanagar could have been the jagir of Bhageerathi Bai, the Vijayanagara princess, who married Ibrahim Quli Qutb Shah, but there were no proofs available. “It was in the late Nizam era that the concept of Bhagyanagar came up and that was because of the rising atrocities against Hindus by the Nizam. One should put down all such gossip and look forward to a livable environment for all,” he added.

According to him, it is more important to preserve the historical texts, manuscripts, epigraphs, architecture, literature and culture of Qutb Shahi rulers for a better understanding of our past.

Mohammed Quli Qutb Shah, the fifth king of the Qutb Shahi dynasty, who ruled the region for 32 years, was the founder of Hyderabad Deccan in 1591-92. He was also considered to be the first Urdu poet and lived between 1565 and 1612. Contemporary to Ibrahim Adil Shah the 2nd and Mughal emperor Akbar, his period is regarded as the golden age for the Deccani culture. “The Deccani culture and heritage has been so neglected that only a very small portion of it is studied and researched upon. There are many major contributions of the Qutb Shahis, but only poetry is given importance in Urdu departments. We call for further research, critical review and examination of art, culture, architecture, jewelry, music, etc,” said Habib Nisar, associate professor and coordinator of the seminar, department of Urdu, UoH.

source: http://www.newindianexpress.com / The New Indian Express /Home> Cities> Hyderabad / by Express News Service – Hyderabad / August 24th, 2013