Category Archives: Arts, Culture & Entertainment

Almost 5 lakh perform ablution in Andhra as 12-day-long river fete begins

Devotees take the holy dip in the river Krishna during the first day of Krishna Pushkarams at the Krishnaveni ghat in Vijayawada on Friday | P Ravindra Babu
Devotees take the holy dip in the river Krishna during the first day of Krishna Pushkarams at the Krishnaveni ghat in Vijayawada on Friday | P Ravindra Babu

Vijayawada :

An estimated five lakh pilgrims took the holy dip in Krishna, as the much-awaited 12-day Krishna Pushkaram began Friday. It was quite a small crowd contrary to the official expectations of more than 15 lakh on the first day of the river fete. The thin turnout is attributed to overzealous policemen and Varalakshmi Vratam.

As the day wore on, the police went into an overdrive, restricting the movement of vehicles. Only pedestrians could reach the ghats as 18 drones hovered above, recording pilgrim movement.

As the day dissolved into night peacefully, the officials heaved a sigh of relief. All through the day, they had been on the edge, fearing a repeat of last year’s stampede at Godavari Pushkaram which claimed 29 lives. The district administration expects that 3.5 crore people could take the holy dip in Krishna during the next 11 days. The ghats in Krishna, Guntur and Kurnool witnessed a steady flow of pilgrims since morning. There was no jostling anywhere. But tragically, a six-year-old boy, A Kiran Kumar, drowned in the river at the Padmavathi Ghat in Vijayawada.

A 51-year-old constable on Pushkaram duty, U Venkata Rao, also died when he was hit by a speeding car at Gudavalli near Vijayawada. The boy was a  native of Vijayawada. He was playing with his friends, when he drowned.  The constable, a native of Kadapa, was on his way to Vijayawada when he met with the accident.

Earlier, CM N Chandrababu Naidu, accompanied by his wife, took the holy dip at the Durga ghat. Later, he reiterated his intention to interlink all rivers in the state. “Water sustains life and keeps the economic activity going. I want to ensure that the people have access to water for all their needs,” Naidu said.

Despite publicity, the crowds were thin not only in Vijayawada but also in Guntur and Kurnool.

source: http://www.newindianexpress.com / The New Indian Express / Home> States> Andhra Pradesh / by S Guru Srikanth / August 13th, 2016

Senior journalist Kasipathi passes away

He had been ailing for a few years. A native of Anantapur district, he spent most of his life there.

Eminent journalist and orator, Yadhati Kasipathi, who was a sympathiser of the then People’s War Group, passed away here on Thursday. He was 75 and is survived by wife Pushpa and two daughters – Pragathi and Vennela.

He had been ailing for a few years. A native of Anantapur district, he spent most of his life there.

For long he worked for the Telugu daily ‘Andhra Prabha’ and given his flair for writing in English, his news items were also published in The Indian Express .

A voracious reader, he used to be found in his stuffy office surrounded by papers. An accused in the Parvathipuram conspiracy case, he was also jailed for a while.

Interestingly, as a youth, he initially worked for the Youth Congress as a National Council member and also with the Red Cross Society of India.

He also did a Bachelor’s programme in Journalism and was helped financially in the endeavour by former Andhra Pradesh Speaker Kalluru Subba Rao.

He was then attracted by the Leftist ideology primarily due to top Communist leader Tarimela Nagi Reddy.

source: http://www.thehindu.com / The Hindu / Home> National> Andhra Pradesh / by Special Correspondent / Hyderabad – August 12th, 2016

Tributes paid to Sankarambadi

Writers led by Sahasravadhani Medasani Mohan paying tributes at the statue of Sankarambadi Sundarachari, in Tirupati on Wednesday.— Photo: K.V. POORNACHANDRA KUMAR
Writers led by Sahasravadhani Medasani Mohan paying tributes at the statue of Sankarambadi Sundarachari, in Tirupati on Wednesday.— Photo: K.V. POORNACHANDRA KUMAR

Writers turned up in large numbers at the statue of Sankarambadi Sundarachari, composer of the State anthem Maa Telugu Thalliki , to pay tributes to him on the occasion of his 102nd birth anniversary on Wednesday.

There is only one bronze statue for Sundarachari in the State installed by literary enthusiasts a decade back in his native place of Tirupati. A son of the soil, the poor man lived for literature and died an ‘unsung hero’.

Members of Sankarambadi Sahiti Peetham, a literary body formed in his name by academician Garlapati Damodaram Naidu to perpetuate his ideals, celebrated the day by garlanding Sundarachari’s statue and paying tributes, even as the organisation’s vice-president G. Suhasini rendered the anthem.

Noted ‘Sahasravadhani’ Medasani Mohan led the team of writers and poets in paying tributes. Peetham’s president D. Masthanamma announced that the body aimed at bringing the glory of the litterateurs of yesteryear to the present generation and popularising them. General secretary M. Devarajulu, writer Sakam Nagaraja and others participated.

At Sri Padmavathi Degree and PG College, TTD Special Officer (Projects) N. Muktheswara Rao explained the nuances in his compositions.

source: http://www.thehindu.com / The Hindu / Home> National> Andhra Pradesh / by Staff Reporter / Tirupati – August 11th, 2016

Mridanga Vidushi honoured

Mridangam vidushi Sumathi Rammohan being honoured.
Mridangam vidushi Sumathi Rammohan being honoured.

The Palani Subramanyam memorial award was given to vidushi Dandamudi Sumathi Ramamohan Rao.

The prestigious Percussive Arts Centre of Bangalore (Palghat Mani Iyer Memorial Arts Centre) conducts Talavadyotsav every year in a big way. Talavadyotsav-2016, a festival of percussive arts and music conference was conducted for four days. Life time achievement awards were instituted by the Centre in memory of legendary percussive artistes like Palghat Mani Iyer, Palani Subramanyam Pillai, Bengaluru K. Venkataraman, H. Puttachar and G.S. Sriram.

Mridangam vidushi Sumathi Rammohan Rao.
Mridangam vidushi Sumathi Rammohan Rao.

This year mridanga vidushi Dandamudi Sumathi Ramamohan Rao of Vijayawada received the coveted Palani Subramanyam Memorial Award for her eminence in mridanga vadyam.

The wife and disciple of famed mridanga vidwan Dandamudi Ramamohan Rao, Sumathi is an A-grade artiste of Akashvani and Doordarshan and belongs to Palani Subramanyam bani. She learnt the preliminaries from father Nidumolu Raghavaiah and Mahadevu Radhakrishna Raju and received her advanced training from her husband Dandamudi Ramamohan Rao.

She travelled widely and in a mridangam playing career spanning 25 years, she accompanied many eminent vocal and instrumental vidwans for concerts in the country and abroad.

A few years ago she also received the Central Sangeet Natak Akademy award. She worked for more than 20 years as a mridangam lecturer in the G.V.R. Government College of music and trained a large number of disciples in mridanga vadyam.

Sumathi Ramamohan Rao established a sabha named Laya Vedika which provides stage for only percussive instrumentalists.

source: http://www.thehindu.com / The Hindu / Home> Features> Friday Review / by P. Surya Rao / Hyderabad – August 04th, 2016

Anti-liquor activist Dubagunta Rosamma no more

RosammaANDHRA08aug2016

Nellore :

Anti-arrack movement leader responsible for imposing total ban on liquor, Vardhineni Rosamma (93) popularly known as Dubagunta Rosamma, passed away  in Dubagunta village of Kaligri mandal, about 90 km from here on Sunday morning.

According to her family, she breathed her last around 3.30 AM on Sunday at her residence in Dubagunta village. Rosamma’s family has been living as agricultural labourers in the village. She is survived by two sons V Srinivasulu, and V Yddukondalu, and a daughter K Padmaja. Her last rights are expected to be held on Monday in Dubagunta village.

Nellore MP M Rajamohan Reddy, Udayagiri MLA B Venkata Rama Rao, former Udayagiri MLA M Chandrasekhar Reddy, MLCs V Balasubrahmanyam, S Chandra Mohan Reddy, CPM senior leader Jakka Venkaiah and others condoled her death.

Unlettered woman who made history

Vardhineni Rosamma, born in 1923 in Juvvaladinne village, married Kondaiah Naidu of Dubagunta village and settled as a agricultural labourer. Rosamma, who was an unlettered woman, was inspired by literacy movement, during the regime of Collector M Raju in 1990s. Later, she joined the Anti-Arrack Movement in 1991, with the inspiration of a book called ‘Mahila Meluko’ written by Vitavu Balasubrahmanyam. She intensified the movement by making ‘Dubagunta village the focus.’

All political parties except Congress, non-governmental organisations and social activists extended support, and joined the anti-arrack movement, which led to its ban by the late CM N T Rama Rao.

After winning polls, NTR  signed on the dotted line to ban liquor in the State.  AP had a golden era for two-and-a-half years during the regime of NTR and crime rate drastically came down following ban on liquor. N Chandrababu Naidu, who assumed office after NTR, lifted the ban. Rosamma’s last days were bad. The government, allotted  her four acres of land in Dubagunta village and a plot at Kavali outskirts, forcibly grabbed it by saying that she had no pattas.

Even APSRTC’s free pass was cancelled few years ago. After losing both kidneys, she travelled to Kanuparthipadu village to meet Chief Minister Naidu. She was not allowed to meet the CM, and was mercilessly necked out from the venue by calling her mad. However, philanthropists donated some money for her health and she died undergoing dialysis at her village on Sunday.

source: http://www.newindianexpress.com / The New Indian Express / Home> States> Andhra Pradesh / by Express News Service / August 08th, 2016

Proposal to place WW II bunkers in museum or along Beach Road

BunkersANDHRA29jul2016

Visakhapatnam :

Heritage lovers want the two World War II bunkers to be placed in Visakha Museum or along Beach Road for tourists and public to learn about their history and importance associated with Vizag. Currently, one of the bunkers lies partially submerged in the sea sand near RK Beach, while the other is in the One Town Area near the port conveyer belt. There’s also a huge concrete bunker on the beach in Jalaripeta region near Kailasagiri, which is practically not feasible to be shifted given its size and mass.

During low tides or beach erosion, the bunkers at times get exposed though most people are unaware of its significance. As per historians, there might be more such historical bunkers between Old Town and Jalaripeta along the beach but not all of them are visible and might be under water. Changes in the coastal landscape may cause some of them to surface in future. The bunkers were constructed for attacking or firing at enemy ships that try to enter the shores.

S Ravi Kanth Reddy, founder-president of Meecons, said, “Recently, I wrote to GVMC commissioner Pravin Kumar requesting him to salvage those two bunkers and make them part of a local museum or at least put them for public display somewhere on Beach oad with some description about their historical significance.”

Elaborating on the bunkers and Vizag’s tryst with the World War II, Captain Dorai Babu of the Indian Navy, who has done research and contributed to certain publications related to the East Coast Naval History during the International Fleet Review (IFR), said, “Not many people are aware that during World War II, a Japanese submarine was sunk around 20 miles off Vizag by an Australian ship. A Japanese aircraft tried to bomb Vizag Port area. The British were anticipating an attack on Vizag and therefore bunkers were built along the coast in the late 1930s and ’40s as a protective and attacking measure.”

“The bunkers are usually 4-5 feet under the ground and 3-4 feet above the ground. They are fortified with stone and can prevent 20 mm bullet attacks to protect guns and crew housed in them,” added Captain Babu.

Historian Edward Paul averred, “These bunkers or pill boxes were used to attack enemy ships trying to enter Vizag shores. The crew would be hidden in the bunkers from where they would shoot. Holes were made on the bunkers for bullets to be fired from them. The bunkers were made of thick solid concrete, which could resist firing attacks. However, these are so heavy and huge that extracting them from the seashores and bringing them to museums or Beach Road would be practically a herculean task requiring modern technology. May be some boards about their utility and historical significance can be placed along the Beach Road. But with increased erosion and the sea encroaching the shores, slowly the bunkers are becoming invisible. In the 1960s, when the sea hadn’t advanced so much, the bunkers would be clearly visible.”

Curator of Visakha Heritage Museum MNA Patrudu said, “It would be definitely a wonderful idea to place the bunkers along with information boards for tourists. May be the museum too can find some space for it if it can be lifted from the seashore. These are very heavy and half of them are submerged in the waters. Lifting and placing them somewhere else would be an extremely difficult task.”

source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Visakhapatnam / Sulogna Mehta / TNN / July 23rd, 2016

The multilingual scholar who made Tirupati proud

Multilingual scholar Kozhiyalam Satagopacharya
Multilingual scholar Kozhiyalam Satagopacharya

He was a scholar honoured by the Tirumala Tirupati Devasthanams (TTD) by being carried on a caparisoned elephant around the famous Sri Govindaraja temple here.

Kozhiyalam Satagopacharya received the rare honour way back in 1961-62. Followed by scholars chanting hymns and to the traditional drum beats of percussionists, the procession led by the then Executive Officer C. Anna Rao also dropped him at his residence. His achievement?

He rendered the Ramayana discourse for a full year at the jam-packed Anjaneya shrine located in front of the temple.

While his centenary was observed by his disciples at Mylapore (Chennai) on Saturday, his home town Tirupati too went nostalgic.

It is a rare coincidence that the 100th year of this scholar, who shares the lineage of ‘Abhinava Ramanuja’ Kozhiyalam Swamy, runs concurrent with the millennial celebrations of Sri Ramanuja.

Born in July 1916 in Therani on the banks of River Kusasthali on the Tamil Nadu border, the Sanskrit scholar taught for more than 25 years in the TTD’s Sri Venkateswara Oriental College. The multilingual scholar used to give a Tamil lecture on ‘Tiruppavai’, participate in Sanskrit debate and immediately switch over to chaste Telugu for a discourse on the ‘Ramayana’. Tamil and Telugu commentaries on ‘Sri Venkateswara Ashtothara Sathanamavali’, Vedanta Desika’s ‘Dayasatakam’ and a Sanskrit commentary‘Vidhitraya Paritranam’ on Sri Venkatadhvari were some of his notable contributions.

He mastered spoken English too within a few months. Satagopacharya made news those days by preparing and rendering the welcome address for the then President Dr. Sarvepalli Radhakrishnan at the Kendriya Sanskrit Vidyapeetha. The President was all praise for his erudition, his disciples recall even today. Describing him ‘an authority on Nyaya, Mimamsa and Vedanta’, the then Lok Sabha Speaker Madabhushi Anantasayanam Ayyangar used to refer scholarly material to him.

His abject poverty never had any impact on him. “He never let money or the absence of it cast a shadow on us,” recalls his son K. Srinivasan, Secretary of the Navajeevan charitable group that runs an eye hospital, home for the visually challenged and an old age home, feeding 1000 people a day.

Though he got an appointment as a reader in the Vidyapeetha, he breathed his last before joining duty.

source: http://www.thehindu.com / The Hindu / Home> National> Andhra Pradesh / by A.D. Rangarajan / Tirupati – July 25th, 2016

Kanyakumari — first woman violinist to get Sangita Kalanidhi award

A. Kanyakumari.
A. Kanyakumari.

“The executive committee of the Academy held on July 24 has unanimously chosen her for its coveted award,” said N. Murali.

A. Kanyakumari, an outstanding and versatile violinist, will get the Sangita Kalanidhi award of the Music Academy this year.

“The executive committee of the Academy held on July 24 has unanimously chosen her for its coveted award,” said N. Murali, president of Academy.

He said Ms. Kanyakumari was the first woman violinist to get the award in the history of the Music Academy and she will preside over the 90th annual conference of the Academy to be held between December 15, 2016 and January 1, 2017. The award will be conferred on her at the Sadas on January 1, 2017.

“It is God’s grace that I have been selected for the award at an appropriate time. I am very happy because it is considered as the highest award in the field of carnatic music,” Ms. Kanyakumari, a student of late M.L. Vasanthakumari told The Hindu.

A native of Vijayanagaram in Andhra Pradesh, Ms. Kanyakumari had her initial training under Ivaturi Vijayeswara Rao. Later she learnt from noted violinist M. Chandrasekaran, another Sangita Kalanidhi awardee. In 1971 she became a student of MLV. “I was with her for 19 years learning and accompanying her,” said Ms. Kanyakumari.

She is yet another student of the G.N. Balasubramaniam (GNB) — MLV school of music to win the award. Others who had already received the award are vocalists Sudha Ragunathan and Tiruchur V. Ramachandran.

A composer, who constantly experimented with music, she created seven ragas under the title Saptadri , seven names of Lord Venkateswara of Tirupati. “I used Annamacharya’s compositions to give expression to the seven ragas,” said Ms. Kanyakumari.

Her other raga creations include Mahalakshmi, Tirumurti and Bharat, a raga created on the occasion of the golden jubilee celebrations of Independence.

“I have teamed up with nagaswaram and veena players and my Vadhyalahiri was popular in the late 1980s,” said Ms. Kanyakumari, who had accompanied saxophone player Kadri Gopalnath along with thavil player Haridwaramangalam A.K. Palanivel and tabla maestro Zakir Hussain.

She teaches a lot of students in India and abroad, but does not accept money from them.

Mr. Murali said the Sangita Kala Acharya awards will go to Rudrapatnam brothers — R.N. Thyagarajan and R.N. Tharanathan and K. Venkataramanan, vocalist and music teacher.

TTK awards will be conferred on vocalist Nirmala Sundararajan and Thevaram singer M. Kodilingam. Musicologist award will go to Rama Kausalya and Pappa Venkatramaiah award to violinist Sikkil Baskaran.

The Nataya Kala Acharaya award will be conferred on Malavika Sarukkai on January 3, 2017, at the inauguration of dance festival.

source: http://www.thehindu.com / The Hindu / Home> Features> Friday Review> Music / B. Kolappan / Chennai – July 24th, 2016

Woman biker’s solo effort to cover 1,700 km

Woman biker Vaishali More, who will embark on a solo ride covering three states of AP, Telangana and Maharashtra for a social cause, in Visakhapatnam on Tuesday.— Photo: K.R. Deepak
Woman biker Vaishali More, who will embark on a solo ride covering three states of AP, Telangana and Maharashtra for a social cause, in Visakhapatnam on Tuesday.— Photo: K.R. Deepak

Biking for me is a symbol of empowerment and liberty, says Vaishali More

With the wind slicing through her hair, riding across the three states of AP, Telangana, and Maharashtra and a passion to conquer the roads, 48-year-old Vaishali More is all set to embark on her first solo motorcycle ride from Visakhapatnam to Shirdi on Wednesday morning.

Purpose

Terming it as a “dream ride where the journey is the destination”, the woman biker from the Port City spoke to The Hindu about the purpose behind the ride and what biking means to her ahead of her journey.

“Biking for me is a symbol of empowerment and liberty and this journey marks the beginning of a new chapter in my life. I have always wanted to ride solo and this will be the first experience for me,” said the passionate biker, who started her biking adventures when she was in college.

Her ride is being supported by city based organisation Rohit Memorial Trust. Vaishali will cover the distance of around 1,700 km in five days, making pit stops at Vijayawada, Hyderabad, Solapur and Pune before ending her journey in Shirdi.

Armed with safety gears, a helmet clasped over her hair, sporting a riding jacket that will guard her back, shoulder and elbow and skid proof boots, she will make her first stop at Vijayawada on Wednesday night.

During her journey, she will be meeting organisations such as Rotary Clubs and biking groups to share her experiences and discuss various social issues concerning women.

Prelude

“This journey is a prelude to the cross country solo bike ride that I am planning next year in association with Rohit Memorial Trust as part of a project on women empowerment under the Swachh Bharat Abhiyan. The aim is to cover eight to 10 smart cities and reach out to women to spread awareness on a series of issues like domestic violence and menstrual hygiene,” said Vaishali.

In Hyderabad, the biker will be meeting members of Wanderers, a biking community and woman biker Sana Iqbal.

At Pune, three women bikers from the local chapter of the Bikerni group will accompany her till Shirdi in their quest to overturn widely held stereotypes such as riding being a gendered hobby.

“Biking for me is meditative. My bike is like an extension of my personality. I know every pulse of it,” says Vaishali while describing her association with her 220 CC Bajaj Avenger Cruise bike that she fondly calls as ‘Ellie’ – a short form of the French word Esprit Libre meaning free spirit.

She will make pit stops at Vijayawada, Hyderabad, Solapur and Pune before ending her journey in Shirdi.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Visakhapatnam / by Nivedita Ganguly / Visakhapatnam – July 13th, 2016

With an elegant touch: Yashoda Thakore

Yashoda Thakore impresses
Yashoda Thakore impresses

It was a pleasing recital by Yashoda Thakore who performed Kuchipudi after a long time.

Yashoda Thakore, who of late has been into the research and practice of Vilasini Natyam, has come back to perform Kuchipudi at Saptaparni’s amphitheatre recently. The repertoire she prepared for this event had some interesting numbers like Thyagaraja kirtana Maa Janaki Chetabattaga and giving a taste of one or two slokas from Nritta Ratnavali, of 12th century Jayapasena on which she worked for a book. She opened the recital dancing to the first sloka of ‘Nritta Ratnavali’ which was more a salutation to Siva. Dancing to a sloka is by itself is an art and the abhinaya she presented was apt in elevating the impact of sloka’s gist. In this she was also accompanied by three of her disciples to give a finishing touch.

Yashoda then chose to present a monumental piece of Thyagaraja and the only one he wrote keeping Sita in the forefront –Maa Janaki Chettabattaga, in Kambhoji. The kirtana’s significance is that Tyagaraja elevating Sita even beyond the image of Rama, saying that it was because he married Sita, he could achieve what all he achieved in his life including annihilation of Ravana. But for Sita, Rama would not have achieved this glory. The very pallavi says Maa Janaki Chettabattaga Maharajuvaitivi. In fact every charanam has such in-depth meaning that is a challenge for any dancer to interpret it aptly. Yashoda carefully etched the bhava in apt mudras and movements. The jatis she presented right after completing the pallavi line spoke of her command on nrutta. There were other places where she presented footwork without repeating herselfwhat she presented already. There were flute interludes too, more because the composition was tuned by a flautist.

The third number was Swara Pallavi in Arabhi. It is self explanatory for the pallavi was made up of swaras in that raga that repeat. It was more a footwork. Some jatis were long mirroring Yasoda’s time sense in presenting them for apt tala. The composition started with swaram as pallavi that was repeated all along in that raga. There was long jati too following pallavi.

A kirtana that figured later was Nadamurali Gana Vilola of Oothukadu Venkata Kavi tuned in Mohana in Tisragati. Here again as pallavi suggests it was Krishna’s flute play. There was a sloka taken out of Krishna Leela Tarangini.

The essence of the theme was to say that the entire nature was reacting to Krishna’s Murali Nadam. This was followed by the display of footwork on a plate and percussion jatis.

The final number was a Javali – Era Rara Marubariki Talagalera in Khamas an erotic number of Samanya Nayika who finally takes the name of Lord Venkateswara as her lover.

There was long Jati here too in the end before she closed her show. This was of Dharmapuri Subbarayasastry composition. Her students Alekhya Prabha, Asawari Bhagawat, Darshini, Sirichandana and Madhura took part with her guru in a couple of numbers.

source: http://www.thehindu.com / The Hindu / Home> Features> Friday Review / Gudipoodi Srihari / Hyderabad – July 07th, 2016